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[new wave, synth-pop] (2018) Eurythmics – In the Garden - Sweet Dreams (Are Made of This) - Touch [Remastered] [FLAC,Tracks] {100.XY}

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Eurythmics – In the Garden / Sweet Dreams (Are Made of This) / Touch
(2018)


Review:
Eurythmics were one of the most
successful duos to emerge in the early ’80s. Where most of their British synth pop contemporaries disappeared
from the charts as soon as new wave faded away in 1984, Eurythmics continued to have hits until the end of the decade,
making vocalist Annie Lennox a star in her own right, as well as establishing instrumentalist Dave Stewart as a
successful, savvy producer and songwriter. 
Originally, the duo channelled the eerily detached sound of electronic
synthesizer music into pop songs driven by robotic beats. By the mid-’80s, singles like “Sweet Dreams (Are
Made of This)” and “Here Comes the Rain Again” had made the group into international stars, and the
group had begun to experiment with their sound, delving into…
313 MB  320 ** FLAC

…soul and
R&B. As the decade wore on, the duo’s popularity eroded somewhat – by the late ’80s, they were
having trouble cracking the Top 40 in America, although they stayed successful in the U.K. During the early ’90s,
Eurythmics took an extended hiatus, as both Lennox and Stewart pursued solo careers. 
The origins of Eurythmics lay
in the Tourists, a British post-punk band of the late ’70s formed by Lennox and Stewart. The pair met in London
while she was studying at the Royal Academy of Music. Stewart had recently broken up his folk-rock group Longdancer and
was writing songs with guitarist Pete Coombes. Immediately after meeting, Stewart and Lennox became lovers and musical
partners, forming a group called Catch with Coombes, which quickly evolved into the Tourists in 1979. Though the band
only was together for two years, the Tourists released three albums — The Tourists, Reality Effect, and Luminous
Basement — which all were moderate hits in England; two of their singles, “I Only Want to Be With
You” and “So Good to Be Back Home Again,” became Top Ten hits. 
During 1980, Lennox and
Stewart’s romantic relationship dissolved and, along with it, so did the Tourists. Though they were no longer
lovers, Lennox and Stewart decided to continue performing together under the name Eurythmics and headed to Germany to
record their debut album. Featuring support from various members of Can and Blondie drummer Clem Burke, among others,
the duo’s debut, In the Garden, was released in 1981 to positive reviews, but weak sales. Following the failure
of In the Garden, Stewart set up a home studio and Eurythmics recorded a second album, Sweet Dreams (Are Made of This),
which was released in 1983. 
“Love Is a Stranger” was the first British single pulled from the album,
and it became a minor hit in the fall of 1982, a few months before the LP appeared. The title track was released as a
single in the spring, and it rocketed to number two on the U.K. charts; shortly afterward, it climbed to number one on
the American charts. “Sweet Dreams (Are Made of This)” was helped enormously by its stylish, androgynous
video, which received heavy airplay from MTV, who had only recently become a major influence within the music industry.
After “Sweet Dreams,” Eurythmics re-released “Love Is a Stranger” and it reached the U.K. Top
Ten (number 23 U.S.), beginning a string of hit singles that ran for a year. Touch, the duo’s third album, was
released toward the end of 1983 and continued their success throughout 1984, spawning the hits “Who’s That
Girl?” (number three, U.K.; number 21, U.S.), “Right by Your Side” (number ten, U.K.; number 29,
U.S.), and “Here Comes the Rain Again” (number eight, U.K.; number four U.S.). During the course of 1984,
Annie Lennox’s theatrical gender-bending was becoming increasingly notorious, which helped their record sales. At
the end of the year, they released the soundtrack for the film adaptation of 1984, which received poor reviews and
sales, despite the Top Ten U.K. placing of its single, “Sexcrime (Nineteen Eighty-Four).” 
Released in
the spring of 1985, Eurythmics’ fourth album, Be Yourself Tonight, boasted a tougher, R&B-influenced sound and
featured a duet with Aretha Franklin, “Sisters Are Doin’ It for Themselves.” The duet became one of
three hit singles from the album, in addition to “Would I Lie to You?” (number 17, U.K.; number five, U.S.)
and “There Must Be an Angel (Playing with My Heart)” (number one, U.K.; number 22, U.S.). Revenge, released
the following year, followed the R&B and soul inclinations of Be Yourself Tonight to a harder-rocking conclusion. Though
the album peaked at number 12 in the U.S. and spawned the number 14 hit “Missionary Man,” its sales were
noticeably weaker than its predecessor. In the U.K., the group was slightly more popular — “Thorn in My
Side” reached the Top Ten — but it was evident that the group was past the point of its peak popularity.

As appropriate for a group passing their commercial pinnacle, Eurythmics began branching out into other areas.
During 1985 and 1986, Dave Stewart produced a number of superstars, including Bob Dylan, Daryl Hall, Tom Petty, and Mick
Jagger. Annie Lennox began a short-lived acting career, appearing in Revolution. Eurythmics reconvened in 1987 to
release Savage, which was greeted with mixed reviews and weak sales. That same year, Stewart married Siobhan Fahey, a
former member of Bananarama who had also appeared in the “Who’s That Girl” video; she would later be
a member of Shakespear’s Sister, which was produced by Stewart. In 1988, Lennox had a hit duet with Al Green with
“Put a Little Love in Your Heart,” taken from the Scrooged soundtrack. The following year, Eurythmics
released We Too Are One, which sold well in Britain, reaching number one, but poorly in America, despite
“Don’t Ask Me Why” becoming their first Top 40 hit since “Missionary Man.” Furthermore,
the reviews were decidedly mixed on the album. 
Eurythmics quietly went on hiatus as of 1990, releasing Greatest
Hits the following year. Lennox began a solo career in 1992, releasing Diva, an album that would eventually sell over
two million copies. Stewart continued producing records and writing film soundtracks, as well as forming a band called
Spiritual Cowboys. In 1995, he officially launched a solo career with the release of Greetings from the Gutter. Lennox
and Stewart re-formed Eurythmics in 1999, releasing Peace, their first new studio album in a decade.

In the Garden [1981]



Eurythmics’ debut album, In the Garden, is the missing link between the work of the
Tourists, who included both Dave Stewart and Annie Lennox, and 1983’s commercial breakthrough, Sweet Dreams (Are
Made of This). Co-produced by Kraftwerk producer Conny Plank at his studio in Cologne, Germany, it has some of the
distant, mechanistic feel of the European electronic music movement, but less of the pop sensibility of later
Eurythmics. The chief difference is in Lennox’s singing; even when the musical bed is appealing, Lennox floats
ethereally over it, and the listener doesn’t focus on her. As a result, In the Garden wasn’t much of a
success, though when Eurythmics streamlined their sound and emphasized Lennox’s dominating voice on subsequent
releases, they found mass popularity.

01. English Summer 
02. Belinda 
03. Take Me to Your Heart

04. She’s Invisible Now 
05. Your Time Will Come 
06. Caveman Head 
07. Never Gonna Cry
Again 
08. All the Young (People of Today) 
09. Sing-Sing 
10. Revenge

Sweet Dreams (Are Made of This) [1982]



Eurythmics’ breakthrough album is a deft mix of electronic thrills, new wave chills, and sultry R&B, the
latter supplied by Annie Lennox’s warm tenor. Pretty much relying on themselves, Lennox and Dave Stewart slip
past the music’s usual coldness and into a territory all their own. It can be smug (the new wave here is served
with a side of irony) and a tad dull (the long, operatic pieces serve little purpose), but the payoffs —
“Love Is a Stranger” and, especially, the magnificent title tune — are among the finest the genre has
to offer.

01. Love Is a Stranger 
02. I’ve Got an Angel 
03. Wrap It Up 
04. I Could
Give You (A Mirror) 
05. The Walk 
06. Sweet Dreams (Are Made of This) 
07. Jennifer 
08. This Is
the House 
09. Somebody Told Me 
10. This City Never Sleeps

Touch
[1983]



Eurythmics followed their 1982 breakthrough album Sweet Dreams with the superior
Touch, which yielded three hit singles and kept the innovative duo at the forefront of the 1980s British new wave
explosion and MTV phenomenon. Mixing cold, hard, synthesized riffs with warm, luscious vocals, the duo crafted some of
the most unique and trendsetting music the 1980s had to offer. Subsequent albums found the duo leaning heavier toward
straightforward rock — this album found them at the height of their electronic incarnation. The lead single,
“Here Comes the Rain Again,” is a melodramatic opus, complete with pre-techno beats, sweeping strings, and
Annie Lennox’ rushing, cool vocals. The soulful “Who’s That Girl” is an icy, steamy throwback
to the torch songs of yesteryear, with Lennox oozing sensuality from every syllable emitted from her lips. The final
hit, “Right by Your Side,” finds the duo in a cheerful, Caribbean-inspired mode. Other standouts include the
seven-and-a-half-minute disco trance of “Paint a Rumour,” the driving “The First Cut,” and the
icy, spellbinding, and sparse “No Fear No Hate No Pain (No Broken Hearts).” The cool, sophisticated musical
experimentalism all over Touch cemented Eurythmics’ reputation as one of the most innovative duos of their time;
the hit singles solidified their reputation as dependable 1980s hitmakers and MTV mainstays. Touch is a testament to
what Eurythmics were at the height of their electronic-techno phase and, without doubt, is a milestone in 1980s pop
music.

01. Here Comes the Rain Again 
02. Regrets 
03. Right By Your Side 
04. Cool Blue 
05. Who’s That Girl 
06. The First Cut 
07. Aqua 
08. No Fear, No Hate, No Pain (No Broken
Hearts) 
09. Paint a Rumour

Summary:
Country:  UK  
Genre:  new wave, synth-pop

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